It’s that time of the week again.

For this Friday’s mixtape, I’ve assembled some songs that feel like it’s almost summer time. I know the last mix we posted was Summer Sounds, so this playlist seems to be taking a couple steps back in the seasonal calendar, but I think this mix can be played from now through autumn with no problems.

A good chunk of the mix has been recycled through summery mixes of mine for the last few years, but there’s some more recent gems thrown in there too.

Listen above, or head over to our 8tracks.com page for this, and the rest of our playlists.

Don’t be afraid to play this outside tomorrow while you make tacos and drink tequila for Cinco de Mayo.

The super cute photo we used for the mix was taken by Block Club best friend Vera Parker-Kennedy and was altered a bit by Block Club’s own Julie Molloy. Shout out to both of them.

Peep the tracklist below. (Updated, 05.08.12)

- Patrick Simons

STILL - jj

Mornin’ - Star Slinger

Gleaming - Galapagos

Want It All - Galapagos

Smack DVD Instrumental - HeatMakerz

I Love… That You Know - Disclosure

Juice - Lunice

Solstice (Vandera Remix) - Actraiser

Crushing - Blithe Field

Bible School - Blithe Field

I Got a Story to Tell (Instrumental Edit) - Buckwild & The Hitmen

Carnival - Disclosure

Ungirthed - Purity Ring

Far Nearer - Jamie xx

Seasun - Delorean

Offline Dexterity - Disclosure

I’m Ready (Instrumental Edit) - HeatMakerz

Punch Drunk Love - Teams vs. Star Slinger

Dinosaur on the Ark - The Very Best

Last Songs - Dntel

Since we’ve moved into our new space we’ve been discussing the need to update all of our collateral materials that have our address on them, one of those being our business cards.

I came across this young man from Portugal named Silvio Teixira and he has come up with a pretty unique form of self promotion. 

Taking a business card and turning it into several different forms:

Poster
Business card
Flip book
Viral video

Radical…

-Timothy

I am happiest when I have creative outlets or ongoing projects in addition to the work I do at Block Club. Planning and designing interior spaces is something I especially love. 

When we started to plan our first real buildout for our new office at the beginning of this year, we were fortunate to find a blank, open canvas to start with. It’s a one-story building that dates back to the 1930s, situated on the recently rehabbed 700 block of Main Street. The space is long and narrow, with a beautiful brick wall extending the length of the space and huge windows at either end. We would have to build some walls to give privacy in the conference area and a few small offices, so we installed windows in most walls to allow natural light to travel from east to west.

I was particularly inspired by all of the interiors I’ve drooled over while traveling in Scandinavia. The space came with some of the prettiest hardwood floors I’ve seen. We chose a very clean, light gray and white color palette for walls, doors and baseboards in order to accent the hardwood floors and our existing wood desks, shelves and work spaces. 

Move-in day came this past weekend and we’re starting to get settled in. There’s still lots of work to do, but we’re here, and most importantly, we’re working.

Check our album on Facebook to see the transformation and progress of our new space!

–Brandon

Mexican design studio Menosunocerouno pokes a little fun at the 2012 doomsday fears with the handsomely designed Just In Case survival kit. The handpicked goods from Mexico include one gulp’s worth of Mayan liqueur, a bite of cinnamon dark chocolate, and the basic essentials of water, matches and a small knife.

A clever exercise in branding, the Just In Case kit will likely not help much if the world is actually ending - that chocolate induced blood sugar crash won’t do you any favors when running from the zombies. But at least you’ll claim bragging rights for the best looking survival kit in those fiery (from the fire and brimstone, not your soggy pack of old matches) final moments of your life. Happy May Day! Happy 2012! 

- Maggie

                           Ask a Block Club Girl: Julie Molloy 

I am an eager consumer of the internet. I subscribe to fifty-something design, writing, fashion, food, music and culture blogs and a good chunk of my evenings, try as I might (not very hard), are spent with an Old Fashioned and my friend Google Reader. I feel encouraged and connected every time I find inspiring projects. I rely on the veteran cultivators of online design culture like Bobby Solomon and Bryony and Armin. Of course I am not unique, creative people of 2012 are able to consume so much, digesting the latest (literally, almost instantaneously so) brand new things in incredibly vast amounts at an incredibly rapid rate.

I think we often forget that we are basically the first generation of creatives working in this environment. And sometimes I can’t help but wonder what this constant churning through every breaking trend is doing to our work, to our collective focus.

So while I love the internet, thrive on the internet!, I have an alter-ego who gets a little overwhelmed by it all, who wants to slow the roll and craves inspiration that is a little less fleeting. And I think this is the part of me that has developed a tremendous love for something that may sound very drab and dry… 18th and 19th century British art, and the paintings of the Pre-Raphaelites, especially.

In 2010 I took a three-month internship in London and did what lonely, broke students do: visit free museums. As connected to design culture as the internet allows me to feel, I’ve never felt more connected to the world than the days I spent humbled by the collections of classic art at the Tate and the V&A. It’s the drama of the narratives, the history and the mind-boggling skill—some of them enormous, taking years and years to complete—that draws me. It makes you feel big and small all at once. And with the Pre-Raphaelites in particular it’s their romanticism, their attention to light and color, their obsession with detail and facial expressions that really melts me. Their paintings are so inimitable and so alive to see in person that you are forced to actually stand still for a minute. And although they may not inspire you in the immediately useful and obvious ways we’ve become used to, they can inform you and help shape a richer context.

So to break up your internet, a few paintings by the Pre-Raphaelite John Everett Millais and John William Waterhouse, who painted in the style a bit later, are above, but I hope you will get to see them IRL someday… not sure old JWW would appreciate the benefits of “low-res”. And until then, here is a book I highly recommend, it was a great time in art history and their lives read like an improbable soap opera. These guys were young, audacious and interesting, and I swear this stuff is as worthy of your eyes as the hyper-minimalist Mad Men poster I can’t wait to find tomorrow.

- Julie

Frans Hofmeester has filmed his son every week of the young boy’s life, from birth until his recent ninth birthday. “Portrait of Vince” is now making the internet rounds, and if you’re looking for a little fluff break from work, it’s pretty great to see a beautiful smiling baby grow into a young boy before your eyes. I love that it’s not just a photo each week - you see the sleepy mornings, the giggle fits, and the toddler tears - as Vince navigates the salty waters of tooth loss and childhood.

(Elsewhere: in the far-off, cobwebby corners of YouTube, a more sinister transformation is taking place.)

- Maggie

An incomplete Mad Men download becomes something sort of … beautiful? Conor McGarrigle, a Dublin based artist, has set a jumping, pixelated, corrupted bittorrent file of fan favorite Mad Men to the poignant sounds of “The Grass Harp,” a song by Silje Nes. McGarrigle describes the video as an “aesthetically beautiful byproduct,” a visualization of the practice of filesharing in a transitory in-between state. 

 

I know I’m just a huge Mad Men fan, but the intrigue of the video has very little to do with the communal act of filesharing and everything to do with the nature of the men and women fractured in its process. I suppose anyone could watch this video, even with no knowledge of Mad Men, and find it aesthetically pleasing (to be fair, the most banal of video feeds could seem eerily meaningful when properly set to Silje Nes’s “The Glass Harp”). But for me, it’s the brokenness and fragility of these well-loved characters that makes it so affecting. 

 

McGarrigle’s corrupted bittorrent file, nothing unusual or exceptional in itself, feels like a reminder of how far away this time really was - more so than just the strange sight of watching a pregnant Betty Draper socialize with a cigarette in one hand and a martini in the other. Mad Men’s characters live in a different world, and while we’re invited to listen in, to be fascinated and enthralled, its characters are not up for debate - they have already lived the bulk of their lives a half century ago, already made their mistakes, already navigated the psychological wasteland of 1950’s American social structure.

 

The hopeful simplicity of the mid-twentieth century that Mad Men expresses so perfectly is no longer possible, no doubt in part due to the rise in technology that has allowed for this very broken up bittorrent file to be shared online. But that’s because it never actually was possible- as every season has shown (especially its most recent, as Mad Men lurches towards the late 1960’s), it was never so black and white. Below the smiles and the 1950’s shiny veneer, there’s a crippling brokenness to every major character that makes it both thrilling and heartbreaking to watch them maneuver the suffocating confines of their era. McGarrigle’s video has caught them at their most vulnerable, reveals their fragility and fractures, reminds us that we can only ever catch glimpses of the scratchy jumping video feed of the real lives lived out not so long ago.

- Maggie


What is your position at Block Club?
 I’m the Office Manager. That should be lower cased though, right? I’m the office manager.
What’s your favorite object and where/how did you find it?
My Jon Spencer Blues Explosion “Acme Plus” record. I bought it from Spiral Scratch after I got my first check from the Buffalo News. 
My silkscreened Locust tour poster is also a favorite. I got it when I saw them in Cleveland with Daughters and Cattle Decapitation back in 2007. It has the four faces of the Locust members in their signature masks imposed on Mount Rushmore with a big volcano behind them erupting toxic green lava. I got drummer Gabe Serbian to scribble something on it after the show too, so that makes it even cooler.
Go-to inspiration blog:
 The Billionaire Boys Club blog for assorted awesome stuff.
 The Kinfolk Magazine blog for assorted pretty stuff.
Your favorite childhood halloween costume: 
 I vividly remember one year, I must have been 4, that I was Batman. The homemade costume came complete with felt details sewn to a black sweatshirt, high tech utility belt (also made of felt) and some sort of mask over my eyes. Only it snowed that year, so my costume was hidden under snow pants and a stonewash denim jacket. That one stands out.
 This is probably my favorite costume of all time, though:

What is your position at Block Club?

I’m the Office Manager. That should be lower cased though, right? I’m the office manager.

What’s your favorite object and where/how did you find it?

My Jon Spencer Blues Explosion “Acme Plus” record. I bought it from Spiral Scratch after I got my first check from the Buffalo News. 

My silkscreened Locust tour poster is also a favorite. I got it when I saw them in Cleveland with Daughters and Cattle Decapitation back in 2007. It has the four faces of the Locust members in their signature masks imposed on Mount Rushmore with a big volcano behind them erupting toxic green lava. I got drummer Gabe Serbian to scribble something on it after the show too, so that makes it even cooler.

Go-to inspiration blog:

The Billionaire Boys Club blog for assorted awesome stuff.

The Kinfolk Magazine blog for assorted pretty stuff.

Your favorite childhood halloween costume: 

I vividly remember one year, I must have been 4, that I was Batman. The homemade costume came complete with felt details sewn to a black sweatshirt, high tech utility belt (also made of felt) and some sort of mask over my eyes. Only it snowed that year, so my costume was hidden under snow pants and a stonewash denim jacket. That one stands out.

This is probably my favorite costume of all time, though:

I recently stumbled across Loup clothing, a French influenced women’s clothing line, and loved their playful lookbook photography. 

- Maggie

Ask a Block Club Boy: Patrick Finan

(Culture is King)

I know there are more than a few critical elements in any successful business, but in my limited experience I’ve learned that culture is king. It’s a part of the day-to-day, week-to-week and year-to-year.

A strong company culture all starts with people. You need the best people, and we’re lucky to have the best at Block Club. You need to create an environment where each person can find fulfillment and satisfaction in their job everyday. Your company should be a place where your team can grow while working through self-learning and exploration. Some people say that work needs to be fun - I hope they mean that it needs to be fulfilling.

I disagree with the idea that building a strong culture comes from having a foosball table and beer in the fridge. It doesn’t take a rocket scientist to see that you’re trying to mask everyone’s general lack of enthusiasm by painting walls bright colors, forcing parties and bonding experiences, hanging inspirational signs, and buying a Wii. These things don’t hurt (note to self: buy more beer), but building a strong culture isn’t this elementary.

I’ve thought a lot about what makes our culture great, but it’s been difficult to distill the last five years of team work into a few solid ideas. Over the next couple of weeks, I’ll be posting my thoughts on our culture. I’m really looking forward to sharing our experiences and all of the things we’re still learning.

Amsterdam saw the opening of “The Bank,” a Starbucks concept store, this March. 

From a recent Starbucks news release:

Designed to function as laboratory with a ‘Slow’ Coffee Theatre, hyper local design, floating community gathering spaces and in-store baking, Starbucks - The Bank is a glimpse into Starbucks vision to the future. […]

“With this store I was inspired not only by the role 17th century Dutch traders played in bringing coffee to the world, but also by the place The Netherlands holds today as a design and creative capital,” said Liz Muller, Concept Design director.  “My vision was to bring the space to life by celebrating local history and tradition while looking to the future by giving it a sense of theatre and discovery.”

The Bank’s walls are lined with antique Delft tiles, bicycle inner tubes, and wooden gingerbread mold, while repurposed Dutch oak was used for benches, tables, and the layered block ceiling (itself compsed of 1,876 pieces of oak). More than 35 local artists and craftsmen were consulted in its creation.

At 4,500 square feet, the space is indeed beautiful. I’m curious to see how Amsterdam takes to it - the New York Times recently explored Starbucks’s struggle to market itself to European cafe culture, and it’s an interesting read on the strategies behind American versus European consumption. 

- Maggie

It’s Music Mix Friday, y’all! (Did you catch last week’s playlist?)

Listen above or head to our 8tracks.com page for this week’s Club Haus playlist - Maggie’s songs to bring on summer:

To Be Alive - Two Sheds

Day Dreams - Midi Matilda

Lollipop - The Chordettes (Squeak E. Clean and Desert Eagles Remix)

Locomotive - Alex Winston

I Found You - The Alabama Shakes

Mr. Tambourine Man - Helio Sequence

Lovers’ Carvings - Bibio

Everyone Knows - Vacationer

If You Want It You Got It - TV Girl

A Night Like Tonight - MPM & Kristine

Corvette Cassette - Slow Magic

Closer Than This - St. Lucia

Longest Ever Dream - The Sound of Arrows

It Don’t Rain in Beverly Hills - Dean & Britta

Babe - Evenings

Far Away - Washed Out

Cannons - Youth Lagoon

Trip - Vacationer

French art director Emilie Guelpa recently created these beautiful Pantone-inspired dessert tarts for French food magazine FricoteGuelpa curates the delightful French blog Griottes, and it’s more than worth a bookmark - if not for the gorgeous food photography, then for the fact that she greets readers with the ever endearing, “Hello, mes petits lapins!”

Pinterest user? Check out Guelpa here.

- Maggie

10 plays

[Flash 9 is required to listen to audio.]

Thursday pick-me-up / old school mash.

- Maggie

Jake Harms breathes new (aquatic) life into old iMacs with his kickstarter project, iMac Aquariums. When asked to throw out an old workplace G3 iMac last year, Harms instead took the colorful computer home, hoping to somehow repurpose the broken machine. 

He pulled apart the old iMac, installing lighting, a filter, and a special curved glass tank to fit the monitor’s shape, and his first iMacquarium was born. After a year of positive response, Harms has created a Kickstarter page, offering DIY macquarium kits in an effort to turn his hobby into a business. It’s a clever and beautiful looking effort for re-use, and I can’t help but think of those fish as tenants in a very swanky new apartment building. 

- Maggie

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block club.