TYPO SAN FRANCISCO

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I just returned from the TYPO conference in San Francisco and I am beyond energized.

Over the course of the two-day conference, I had the pleasure of seeing a super impressive lineup of talks by some extraordinary designers, illustrators, typographers and tech founders. 

I’m still digesting everything. I learned a lot and I came home with a ton of energy, but the one thing I took from this conference more than anything else is validation. Here are some highlights:

Jessi Arrington opened up the conference with a talk about being honest with yourself and making the most of your strengths. Her story is very inspiring. You can watch her talk at the link above.

When Jeff Veen, a VP at Adobe and founder of Typekit; and Erik Spiekermann, who needs no introduction, offered advice on company processes and culture, they essentially walked the audience through what we already do at Block Club. It was extremely validating.

I really connected with and learned a lot from Peter Bil’ak, a typographer, publisher, graphic and choreographic designer, and editor (among other things) who made the case that working in a variety of disciplines and exploring the unknown makes for better, stronger work. I couldn’t agree more.

I already know that we have an incredible thing going here at Block Club, but to be validated by some of the biggest people in your business is an absolutely wonderful thing. 

I’m so looking forward to sharing what I’ve learned with my team. 

You can see some of the talks here

-Brandon

Color Pallet

I am a designer and illustrator. I have a folder on my desk top that I throw images into that I find interesting or relevant to projects I am working on. I use these images to gather inspiration from. Whether it’s a color, layout or style they all go into this folder.

This is an image I threw in there when I was working on a project for the upcoming issue of Block Club magazine issue 31 Quality / Quantity. I drew inspiration for my color pallet from this image for one of my illustrations. You’ll have to wait and see, the issue hits the streets next week.

-Tim

Justin hinted today about that long-rumored new music, which comes something like 85 years too late. (No more movies for a while? It’s okay; you tried that.) What I love about this announcement—which neglected to offer any hint of actual music, rumored as of last night—is that he explains himself. Not that he needed to. It was classy and in touch, which a lot of other pop entertainers are not. Good move.

I understand where he’s coming from. If you can afford the time to sit on yourself and let your creation speak to you, then you should only produce when it makes sense. If you can’t, like most of us down here in Realityville, we must produce what we must, when we must. Still, not bad that we get to at all.

Listening to inanimate things—not to mention YOUR ART! WACKY!—talk to you sounds like a bunch of malarkey, I know. It sounds like you’re a crazy person who talks to his hands when your mittens are on. I don’t know where that example came from, but I suppose it’s just hypothetical, okay!?

I know that when I feel myself talking to myself, I follow it. Even if it takes me to moody caverns or dimly lit recording studios. I just go for it. Sometimes it’s a brighter spot, where your work is illuminated so strongly you cannot cannot cannot will not shove it in a drawer or journal. Sometimes your work tells you when it’s ready. And that’s when it’s the best, I think. Because it’s ready.

Watch Justin’s quick vid about “the ready” above. After that, jump onto this creative manifesto from Alan Watts that’s circulated your WIFI for a while. Both videos came to my attention today. Coincidence? I dunno. But I gotta make something. See you later.

-Ben

The internet is full of stuff. As a designer who is constantly on the internet, I come across loads and tons of imagery. Lots of hipster-ish images with vague quotes that I suppose are inspiring. I filter through sketches and old comic book clippings from the 50s & 60s. Then there is the fashion photography, the fine art and logos! Oh the logos! It goes on and on. A lot like this paragraph. 

I’ve been feeling a bit uninspired when I came across this campaign. It’s simple, clean and super easy. It’s one of those ideas that makes you go, “Why didn’t I think of that?” The ads were done for Reflex Spray, by Contrapunt, an ad agency based in Madrid, Spain. The spray says that it gives“Instant Muscle Relief.”  Now lets go for a run.

-Tim

View from Mount Royal. Poutine! Delicious Eggs Benedict w/ caramelized onions and 4-year-aged cheddar! Over 400 Bixi Stations and 5000 Bixis in Montreal. Smoked meat at Schwartz's. Still getting used to the toe clips on my bike. Bagels at St-Viateur Bagel.

Here are some Instagram photos I snapped this past weekend while visiting Montreal for the first time. Our weekend consisted mostly of eating, biking and then eating some more. A few interesting bits from our trip:

Only a six-hour drive from Buffalo, Montreal and the province of Quebec are as close as it gets to Europe in North America. But it’s more than the dominant French language, signage and culture that the Quebecois have fought to preserve (sidenote: did you know KFC is called PFK in Quebec, but still called KFC in France?); from the moment you enter the province, you feel like you’ve left America and transported to Europe.

Montreal is the bike-friendliest city I’ve seen in North America. We brought our bikes up with us, but our two friends who joined us for the weekend took advantage of Bixi, as the stations are everywhere. You can get around almost entirely using bike lanes. And these aren’t the bike lanes we’re used to seeing in most North American cities; they’re totally isolated from traffic, Copenhagen style. This is what a bike-friendly city looks like. Why can’t we do it this way in Buffalo?!

Celine Dion, the beloved Quebecois superstar, and her grandfather manager-husband Rene Angelil are now part owners of the famed Schwartz’s Deli. While I don’t have much of an opinion about Celine, the smoked meat was delicious and well worth the 45-minutes we waited in line.

Can’t wait to go back!

-Brandon

MAKE - GOOD - ART

I’m a little late to posting this, considering the fall semester is quickly approaching but, I saw this video of Neil Gaiman a while back, addressing the University of the Arts class of 2012 and it’s quite inspiring.

The folks over at zenpencils.com went on to illustrate Neil’s final points from his speech. And illustrate they did. You should take a look.

Gaiman is a British writer, journalist, poet and author known for writing for DC Comics, Marvel Comics, and Vertigo. Penning the story lines for the Sandman series, Spawn, Green Lantern oh yeah and Batman to name a few. He gives good advice too.

-Tim

The internet can be a tough place to navigate. You might go in search of learning a new skill or finding the best way to accomplish a certain task, and the next thing you know you are buried under spam, cat videos and piles of useless information.

Organized Wonder is a side project for designer and front-end developer Sawyer Hollenshead. It’s a site that aims to reduce the clutter and bring you inspiring talks, documentaries and various other videos to inspire and enlighten.

The site is fairly new but has already amassed a great collection of videos that will be sure to get you re-energized and eager to start the next big thing.

I’ve included one of my favorite videos, which was done by Albin Homqvist for Education First, a world leader in international education. 

- Steve

What is your position at Block Club?
I am a Project Manager and Digital Director at Block Club. 
Share something that inspired you recently.
I found a really cool blog post showing people posing with all of their possessions. It really made me stop and think about what we all value enough to keep around us. It also made me think about how much stuff I have used and discarded, sold, or given away, and all the stuff that I will consume over the course of the rest of my life.


What is your favorite object and how/where did you find it?
My favorite object is a Simpsons diorama alarm clock that I found at a flea market almost ten years ago. I love its color, functionality and design. You turn on the radio by moving the television antenna. You change the radio station by twisting the lamp on the side table. The alarm sounds with Homer yelling at Bart for pouring a slurpee on him, and the television lights up to show Itchy and Scratchy. 

And your proudest work moment?
I remember the first time I saw someone reading a copy of Block Club magazine out in public. I was at a coffee shop, and it was really cool to see someone enjoying a publication that my friends and I put together. 

What is your position at Block Club?

I am a Project Manager and Digital Director at Block Club. 

Share something that inspired you recently.

I found a really cool blog post showing people posing with all of their possessions. It really made me stop and think about what we all value enough to keep around us. It also made me think about how much stuff I have used and discarded, sold, or given away, and all the stuff that I will consume over the course of the rest of my life.

What is your favorite object and how/where did you find it?

My favorite object is a Simpsons diorama alarm clock that I found at a flea market almost ten years ago. I love its color, functionality and design. You turn on the radio by moving the television antenna. You change the radio station by twisting the lamp on the side table. The alarm sounds with Homer yelling at Bart for pouring a slurpee on him, and the television lights up to show Itchy and Scratchy. 

And your proudest work moment?

I remember the first time I saw someone reading a copy of Block Club magazine out in public. I was at a coffee shop, and it was really cool to see someone enjoying a publication that my friends and I put together. 

Since we’ve moved into our new space we’ve been discussing the need to update all of our collateral materials that have our address on them, one of those being our business cards.

I came across this young man from Portugal named Silvio Teixira and he has come up with a pretty unique form of self promotion. 

Taking a business card and turning it into several different forms:

Poster
Business card
Flip book
Viral video

Radical…

-Timothy

                           Ask a Block Club Girl: Julie Molloy 

I am an eager consumer of the internet. I subscribe to fifty-something design, writing, fashion, food, music and culture blogs and a good chunk of my evenings, try as I might (not very hard), are spent with an Old Fashioned and my friend Google Reader. I feel encouraged and connected every time I find inspiring projects. I rely on the veteran cultivators of online design culture like Bobby Solomon and Bryony and Armin. Of course I am not unique, creative people of 2012 are able to consume so much, digesting the latest (literally, almost instantaneously so) brand new things in incredibly vast amounts at an incredibly rapid rate.

I think we often forget that we are basically the first generation of creatives working in this environment. And sometimes I can’t help but wonder what this constant churning through every breaking trend is doing to our work, to our collective focus.

So while I love the internet, thrive on the internet!, I have an alter-ego who gets a little overwhelmed by it all, who wants to slow the roll and craves inspiration that is a little less fleeting. And I think this is the part of me that has developed a tremendous love for something that may sound very drab and dry… 18th and 19th century British art, and the paintings of the Pre-Raphaelites, especially.

In 2010 I took a three-month internship in London and did what lonely, broke students do: visit free museums. As connected to design culture as the internet allows me to feel, I’ve never felt more connected to the world than the days I spent humbled by the collections of classic art at the Tate and the V&A. It’s the drama of the narratives, the history and the mind-boggling skill—some of them enormous, taking years and years to complete—that draws me. It makes you feel big and small all at once. And with the Pre-Raphaelites in particular it’s their romanticism, their attention to light and color, their obsession with detail and facial expressions that really melts me. Their paintings are so inimitable and so alive to see in person that you are forced to actually stand still for a minute. And although they may not inspire you in the immediately useful and obvious ways we’ve become used to, they can inform you and help shape a richer context.

So to break up your internet, a few paintings by the Pre-Raphaelite John Everett Millais and John William Waterhouse, who painted in the style a bit later, are above, but I hope you will get to see them IRL someday… not sure old JWW would appreciate the benefits of “low-res”. And until then, here is a book I highly recommend, it was a great time in art history and their lives read like an improbable soap opera. These guys were young, audacious and interesting, and I swear this stuff is as worthy of your eyes as the hyper-minimalist Mad Men poster I can’t wait to find tomorrow.

- Julie

Ask a Block Club Boy: Patrick Finan

(Culture is King)

I know there are more than a few critical elements in any successful business, but in my limited experience I’ve learned that culture is king. It’s a part of the day-to-day, week-to-week and year-to-year.

A strong company culture all starts with people. You need the best people, and we’re lucky to have the best at Block Club. You need to create an environment where each person can find fulfillment and satisfaction in their job everyday. Your company should be a place where your team can grow while working through self-learning and exploration. Some people say that work needs to be fun - I hope they mean that it needs to be fulfilling.

I disagree with the idea that building a strong culture comes from having a foosball table and beer in the fridge. It doesn’t take a rocket scientist to see that you’re trying to mask everyone’s general lack of enthusiasm by painting walls bright colors, forcing parties and bonding experiences, hanging inspirational signs, and buying a Wii. These things don’t hurt (note to self: buy more beer), but building a strong culture isn’t this elementary.

I’ve thought a lot about what makes our culture great, but it’s been difficult to distill the last five years of team work into a few solid ideas. Over the next couple of weeks, I’ll be posting my thoughts on our culture. I’m really looking forward to sharing our experiences and all of the things we’re still learning.

Ask a Block Club Boy: Ben Siegel

(Three Inspiring Reminders from Last Month)

Children know.

This is a cliché, but since clichés are just repeated true things, I’m going to continue the trend. Children inspire me because they embody what I all want from my audiences, readers, clients, and cohorts: honesty, clarity, openness, curiosity, tenacity and joy. They tell you when you’re wrong. They tell you when they want more. They tell you what you need to hear. They tell you that they like your face. They follow everything with a hug. Things don’t get much more perfect than that.

(Disclaimer: Age matters. Don’t expect a rhetorical response from a four-year-old, but expect lots of hugs at the drop of a dime. Similarly, four-month-olds can’t answer your question about their wet diaper, but they can tell you in no uncertain terms when something is wrong.)

Figure out the signals and you’re in the clear. Such as in life.

 

Burgers have a way.

I was recently invited to a monthly meeting of a local burger-of-the-month club. I say “a” to indicate that there are more than one in town. It’s a movement. I do not know the histories of these groups, their leaders, or their missions. I do know that they are serious about their burgers. They meet once a month at a restaurant and catch up over their shared meal. They ask chefs to create special house burgers for the group. So fancy.

But more impressive than the ingredients and their umami was the conversation we had. We talked about our favorite bowls of cereals, grilled cheeses, and what constitutes the ideal lasagna. It was no more serious than that: ground meat, condiments, bread, toasting rules, cheese-melting techniques. It wasn’t intellectual. It wasn’t political. It wasn’t complicated. It was fun. It was light. It was easy. I highly encourage regular meals with friends, or strangers—people at the next table, even—where you discuss nothing other than cheese. We bonded over cheeseburgers, which made it one of the more memorable conversations I’ve had in a while.

Parameters open more doors than they shut.

 

Meet yourself.

I came across an article I wrote 10 years ago, meaning it was one of my first, meaning it was for my college newspaper, meaning it was horrible. Don’t look it up. It was about what I had learned about life at 20, and what I was sure I wouldn’t settle for as I moved forward. (I piggybacked onto Mike Nichols and stole from “The Graduate” in the title. Talk about clichés.) It was passionate, but horribly off-target. I misused phrases. I crossed my metaphors. I didn’t have strong enough opinions, which made articulating them even worse. But that’s what 20 is for.

I don’t normally wait for milestones to be reflective. But this was something else. This was a friendly slap in the face to remind me to actively engage my mind, even change it; to develop opinions, even if they’re unpopular; and to delve into new territories. You have to know what you believe in, not pretend that you do if you don’t, and not be afraid to say you have no idea.

You can teach yourself a lot, even if you don’t know the lesson at first. 

Ellie Snow is a graphic designer based out of Durham, North Carolina. Named in the 2009 “50 of the World’s Best Design Blogs” London Timeslisting, Ellie’s blog Mint is a goldmine of beautifully curated design inspiration, interviews, and roundup links. (She launched her online stationary shop, Hello Tenfold, that same year.) A catch-all for her lovely personality and design tastes, Mint is a go-to treat for inspiration and admiration. 

Ellie was kind enough to answer some questions for Club Haus, and we’re thrilled to share a short interview with her. Enjoy!

How did you end up doing what you’re doing now?

A couple years after college I started working as a graphic designer, and since I was an art major in school (somewhat helpful, but not totally!), I spent a lot of time outside of work getting acquainted with the design world — reading magazines, blogs, books, etc. I started a design blog in 2008 as a way to store all this stuff I was gathering and learning from, and found that I really loved blogging. It became a pretty serious hobby, and my readership began to grow. That same year I got engaged and shared our wedding planning process and invitation design/printing process with my readers. I always wanted to be self employed, and when people started asking me to design their invitations, I decided to try to start an invitation business. Within a few months, I had cut back my hours at the design job and within about 6 months I was running Hello Tenfold and Mint full time. Now I can’t imagine doing anything else, it’s really a dream job.

How have you found a balance between creating, blogging, and maintaining a personal life?

Moving my studio out of the house was a big step toward having better balance in my life. I love what I do, so when I was working from a home office, I ended up working 24/7 and started to burn out. Now that I have a separate studio, it’s much easier to keep set business hours. This year, I’m bringing on some contributors for Mint and am excited to have some different voices there, sharing their expertise! I think the main thing is to have passion for what you do; it makes keeping on top of things easy!

Across your past and ongoing design work, is there a single piece or set that is specifically a favorite of yours?

I think my 1920s invitation set is probably my favorite; I love how changing the pattern and colors on the envelope liner can completely change the suite. I also loved working on the boho note card set, which started as individual hand drawn shapes and then became full patterns.

Favorite song of the moment for inspiration at the office or home?

First Aid Kit’s version of Fleet Foxes’s Tiger Mountain Peasant Song has been on repeat lately:

(Thanks, Ellie!)

Club Haus is rolling out a regular music feature, posting themed playlists to our 8tracks.com account and sharing the music on Club Haus. W00t! Some weeks will see a collective playlist, an amalgamation of several Block Clubbers’ picks for a specific theme (like today’s), while other weeks the playlist will be created and compiled by one single team member as a selection of personal favorites. 

So here’s our first playlist! Listen above, or head over to 8tracks.com. For inspiration in the Block Club office, this IS Casual Friday: an eclectic mix of inspiration picks for work. (A big thanks to Ben and Julie for the opening and closing credits - classics, to be sure.)

Happy Friday, Club Haus readers!

- Maggie

[The above playlist may take a minute or two to load before it appears.]

Casual Friday:

Jumpin’ Jumpin’ - Destiny’s Child

Temptation - New Order

High School Lover - Oregon Bike Trails

Ritual Union - Little Dragon

Coastal Brake - Tycho

Indestructible - Robyn

Corvette Cassette - Slow Magic

Lovers’ Carvings - Bibio

Imitosis - Andrew Bird

Someday Baby - R.L. Burnside

Next Messiah - Jenny Lewis

Facelove - PS I Love You

Stamp - The Rural Alberta Advantage

Shuffle - Bombay Bicycle Club

Milk Crisis - The Go! Team

I Believe I Can Fly - R. Kelly 

What is your position at Block Club?
Designer and Director of Desserts.
Share something that inspired you last week:
Nicholas Bate recently finished up his series “The Seven Greatest Barriers to your Greatest Work”. The simplicity of it inspires me.
(1) Worrying about what other people think
(2) The distraction of trivia and melodrama
(3) The desire for perfection
(4) Simply not being bold enough
(5) Not having a pen
(6) Believing things should be fair
(7) Copying rather than innovating.
What’s your favorite object, and where/how did you find it?
Sigh. It’s a stuffed fox that I have had for many years, a gift from my dad for my seventh birthday. He is a little haggard now and his smoker’s cough is a little worse than it was, but he has been with me from my childhood bedroom to a week on a floor in Berlin and everywhere in between. I have some great photos of him exploring London.

What is your position at Block Club?

Designer and Director of Desserts.

Share something that inspired you last week:

Nicholas Bate recently finished up his series “The Seven Greatest Barriers to your Greatest Work”. The simplicity of it inspires me.

(1) Worrying about what other people think

(2) The distraction of trivia and melodrama

(3) The desire for perfection

(4) Simply not being bold enough

(5) Not having a pen

(6) Believing things should be fair

(7) Copying rather than innovating.

What’s your favorite object, and where/how did you find it?

Sigh. It’s a stuffed fox that I have had for many years, a gift from my dad for my seventh birthday. He is a little haggard now and his smoker’s cough is a little worse than it was, but he has been with me from my childhood bedroom to a week on a floor in Berlin and everywhere in between. I have some great photos of him exploring London.